Monsters in the Archives

After Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process-most of them never before studied or published.

The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of King's enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?

Bicks focuses on five of his most iconic early works-The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift-to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now.

The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.