Nikolaus Harnoncourt describes Mozart's Requiem as 'an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree'. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart's death.

1. "Requiem, K. 626"
2. I. Introitus
3. II. Kyrie
4. III. Sequenz: 1. Dies Irae
5. 2. Tuba Mirum
6. 3. Rex Tremendae
7. 4. Recordare
8. 5. Confutatis
9. 6. Lacrimosa
10. IV. Offertorium: 1. Domine Jesu
11. 2. Hostias
12. 3. Quam olim Abrahae
13. V. Sanctus
14. VI. Benedictus
15. VII. Agnus Dei
16. VIII. Communio - Lux Aeterna
17. "Laudate Dominum from Vesperae solennes de confessore, K. 339"
18. "Alleluja from Exsultate, jubilate, KV. 158a"